JYC EXCLUSIVE: Yesterday Humu and I were strolling down the frozen dessert aisle of Whole Foods when we both spotted a new Ben & Jerry’s flavor: Banana Split. We noticed immediately how the logo on the ice cream container was a spot-on copy of the Hanna-Barbera Banana Splits band logo, minus the last S in the word “Splits”. Just compare the Banana Split package to the cover of the Banana Splits album I have:

Ben and Jerry’s ice cream on the left; Album from the 1960s band Banana Splits on the right

Here’s a closeup of both logos:

Since Ben & Jerry’s are (A) known for exploiting the nostalgia of the 60s to sell ice cream, and (B) unforgiving in their endless barrage of shameless product tie-ins, I wouldn’t put it past them to license the classic bubble-gum band to shill for them. I’m sure the Splits would do it.

I picked up the carton and scanned the entire package to see if there was any credit or trademark assignment to Hanna-Barbera, who signed the Banana Splits supergroup to their label and gave them a show back in the 1970s. I did find a copyright notice for the cow illustration that appears on the back of the carton, but I found nothing to indicate that Ben and Jerry’s had licensed the Banana Splits logo.

Is is possible that Ben & Jerry’s is the most recent company to pull a Todd Goldman and appropriate someone else’s art to pass off as their own? I contacted Ben & Jerry’s to find out more, but I have not heard back from them yet. So I decided to go straight to the source and talk to the Banana Splits themselves.

Not The First Time

I got in touch Bingo, the enigmatic second-banana of the Banana Splits (although most music scholars agree he was the “John Lennon” of the group), for his comments. Perhaps not surprisingly, he was unaware of the situation. Like most bands from the 70s, the Splits signed over all of their rights to their record label in exchange for fame and fortune, and lost control of their image.

“We have no say any more, and Hanna-Barbera doesn’t really care about us. They cater to your every whim if you can make them some coin, but once the money stops coming in, they forget about you!!!” Bingo commented. “And so they just let golden opportunities like this slip past them. This is not the first time it has happened. We’ve been trying for years to get royalties from Bob Marley’s estate, who lifted the chorus melody of Buffalo Soldier directly from our theme song. But Hanna-Barbera just hasn’t bothered. They don’t realize the gold mine they’re sitting on” Bingo lamented. He then hit me in the face with a pie.

So what’s the verdict? Well, the jury is still out on this one, so stick with us here at JYC for full scoop (har har) as this story unfolds. If I see that Ben & Jerry’s is planning a Sour Grape flavor, you will be the first to know.

Note: All images in this post were lifted from various places on the Internet without permission or credit

Here at Junkyard Clubhouse we love all things junkyard, and right at the top of our list are Junkyard bands.

And Fat Albert has one of the rockin’est Junkyard bands ever. The groovy kids record blog Way Out Junk has gifted the Internet with not one, but TWO rips of classic Fat Albert and the Junk Yard Band albums: Creativity and Rock N’ Roll Disco.

The famous junk yard band is organized when the kids are unable to afford musical instruments

Listening to these records will convince you that real-life junkyard instruments can sound just like the smooth sounds of studio musicians! Actually, while the pictures of the Junkyard band are pretty sweet, there’s not much in the way of classic Fat Albert music on either of these albums. The Rock N’ Roll Disco in particular is pretty bad. Hmmm. Now I’m wondering why I even bothered bringing it up. Here, watch the opening of the Fat Albert Show instead.

The Rankin/Bass Historian has posted some excellent art from Here Comes Peter Cottontail. First we have the character sheet by Paul Coker Jr, who did a lot of art and design work for Rankin/Bass specials. Also on the blog is a high-resolution black and white still of Sassafrass and his cart, it’s got some incredible detail to it. Make sure you check out the link to see the whole thing. Happy Easter everyone!

Easter’s just around the corner, and another holiday brings more Rankin/Bass. Yay! Rankin/Bass made two Easter-themed specials: 1971’s “Here Comes Peter Cottontail” and 1977’s “The Easter Bunny Is Comin’ to Town”.

Here Comes Peter Cottontail

I haven’t seen “Here Comes Peter Cottontail” since I was a kid. I don’t remember it very well, but it’s probably the better of the two, and I’m really eager to see it again. It’s available on DVD, and I’m going to try to get it before Easter.

Watch out: there’s an utterly despicable 2005 sequel called “Here Comes Peter Cottontail: The Movie.” About 20 minutes into trying to watch it, I developed Tourette’s. If you’ve seen the 2001 sequel to Rudolph the Red-Nosed Reindeer, “Rudolph and the Island of Misfit Toys,” then you have an idea of how bad the Peter Cottontail sequel is. If you haven’t heard of either of them, just do whatever you can to steer clear of them.

The Easter Bunny Is Comin’ to Town

“The Easter Bunny Is Comin’ to Town” is a whole ‘nother egg hunt… and it’s actually just a re-tread of “Santa Claus Is Comin’ to Town.” Just as the Santa Claus in that special bears little resemblance to the Santa seen in the Rudolph special, this tale has nothing in common with the Peter Cottontail special — the protaganist here is Sunny the Bunny.

In both “Comin’ to Town”s: the narrator is a postman played by Fred Astaire; the holiday icon (Sunny in “Easter Bunny”, Kris Kringle in “Santa Claus”) lives in one town, and wants to deliver their holiday gifts to children in another town; delivery of the gifts is thwarted by the authority figure in the town, and sneaky ways to get the gifts delivered in the dark of night are developed; and along the way, today’s well-known traditions are spawned. Oh — and both figures also have trouble getting over a mountain between the two towns, because of a big scary monster type of obstruction that by the end of the special has learned to be good. It’s like they just took one script and filled it in Mad Libs-style to get two specials out of it.

Despite the strange deja vu feeling of watching “Easter Bunny,” it’s not half bad. The thing that bugs me is that the jelly beans look more like jelly noodles. It’s kind of weird.

Vintage plaster fish, from Bowling Trophy

These are just some of the lovely vintage plaster wall fish that have been posted on the new blog, Bowling Trophy. There’s no name attached to the blog, but if it is who I think it is, then his one-two punch of excellent photography skills matched with uncanny thrifting ability should combine into a really swell blog.

Bedknobs and Broomsticks

I think these fish are great; they often have really great shaded paint jobs that make them look almost like sugar candy or marzipan. Their happy and alluring demeanor always reminds me of the underwater sequence in Bedknobs and Broomsticks.

Fishing for a Compliment, by Dale Sizer

My friend Dale Sizer did this cool painting of plaster wall fish on a slice of a log a few years ago.

The great Disney blog 2719 Hyperion has a wonderful post about one of my favorite overlooked Disney characters J. Audubon Woodlore, the park ranger. I fell in love with him as a kid when I saw the classic “In The Bag”, where he makes up a little song and dance to convince the bears to clean up the park. Apparently In The Bag was such a hit that it inspired a record called the “Humphrey Hop.”

The short is available on a Disney DVD called Disney Rarities. Check out 2719 Hyperion’s overview of this great oft-forgotten Disney character.
UPDATE: I need to remember to search Youtube before making any post. In The Bag is on Youtube right now. I’m not sure how long it will be on there, but for now, enjoy!

A post on the super-nifty blog Neato Coolville got to one of my weak spots: The Banana Splits. And it reminded me of some other rare collectible Banana Splits stuff I had seen.

Here’s Neato Coolville’s Window Clings of Fleegle and Bingo:

Banana Splits Window Clings

And here’s something really wild that I’ve never seen before. The Banana Splits done up as the band KISS. I have no idea who made it or where it came from. This was on an ebay auction that another (at-the-moment-defunct) blog found.

Banana Splits dressed as the supergroup KISS.

No celebration of cheesy Irishness is complete without Lucky the Leprechaun:

This is the very first commercial for Lucky Charms. This was done by Bill Melendez — before he started his own studio to produce the Peanuts specials, he did a lot of work on animated commercials. This commercial is from about 1964.

I love this one because it reminds me of Kites Are Fun, by the Free Design:

The Leprechauns’ Christmas Gold [Amazon.com]

The Leprechauns’ Christmas Gold is — and I say this as a massive Rankin/Bass fan — a disappointment. First off, why on earth didn’t Rankin/Bass make this as a St. Patrick’s Day special? Heck, even Groundhog Day got a Rankin/Bass special, but instead they chose to further glut their already overloaded Christmas special catalog with this. Leprechauns belong to St. Patrick’s Day, period. Rankin/Bass had a bad history of cross-polluting their holidays (see: Rudolph & Frosty’s Christmas in July, Rudolph’s Shiny New Year). But this is just a straight out omission. Okay, okay, it’s got the song “Christmas in Kilarney,” which nearly sells me on the concept… but really it’s a stretch.

Despite that, with all its over-the-top stereotypical Irish-like goodness, it’s Rankin/Bass’ sort-of St. Patrick’s Day special. If you squint. And turn the volume down. [and drink! -Hanford] It stars Art Carney as the leprechaun Blarney Kilakilarney, whose clan lives on a remote, fog-cloaked island uninhabited by humans. They share the island with a competing leprechaun clan, including his ex-wife. Along comes a boy looking for a Christmas tree, he takes the one on the island, which was really a trap for the banshee, who’s now on the loose, and wants the leprechauns’ gold, blah blah blah, she’s after me pot o’ gold!, blah blah blah, the end. Unless you’re a Rankin/Bass diehard, go watch Darby O’Gill and the Little People instead.

But, all this talk of “you’re just after me pot o’ gold!” gives me an excuse to post a link to this. Which only makes sense if you have your speakers on. And even then, not really. It just makes me giggle.

Happy St. Patrick’s Day!

The image on the left is from a rare stop-motion puppet of Jerry Lewis that was built by the Rankin/Bass animation studio for some specials. While I’m not a huge Jerry Lewis fan, I can’t get over how cool it would have been if Rankin/Bass (creators of all the great stop-motion Christmas specials) had gone through and produced these cartoons. The puppet has a look to it that you just don’t see in modern animation. Check out the all the photos of the Jerry Lewis Puppet.

According to the Rankin/Bass Historian, it turns out that Arthur Rankin and Jules Bass were huge Jerry Lewis fans and were working on two projects to being Jerry Lewis to stop-motion world. One was “Punch and Judy” and the other was “The Bellboy”. They never went into full production but there was some work done on them. A song was written called “Hey Bellhop!”, which has been locked away in the Rankin/Bass vaults all these years. A demo recording of the song will be included in the soon-to-be-released soundtrack to the The Daydreamer, a special I’ve never seen. Seeing the image of the Jerry Lewis puppet fills my mind with thoughts of what this might have been.